St. Bede Weekly Listening Schedule for LJ's
Your initial post due Friday - 10pm
Peer reply due by Sunday - 10pm
Week 1 (Nov. 15 - 21)
5 minutes familiar music
5 minutes unfamiliar music
{10 minutes total}
Week 2 (Nov. 22 - 28)
8 minutes familiar music
8 minutes unfamiliar music
{16 minutes total}
Week 3 (Nov. 29 - Dec. 5)
11 minutes familiar music
11 minutes unfamiliar music
{22 minutes total}
Week 4 (Dec. 6 - 11) - Final Week
15 minutes familiar music
15 minutes unfamiliar music
{30 minutes total}
IVCC MUS 1000 - Mrs. Mills
This blog is to serve the students in my IVCC MUS 1000 Music Appreciation class. Here we discover and share our thoughts and observations by way of Listening Journals to enhance our musical experiences both in and out of class with each other.
Followers
Tuesday, November 17, 2015
IVCC / St. Bede Academy Listening Journal Blog Addresses
Hi everyone,
On your main page (called your 'dashboard'), on the left side navigation window, you'll see an "Add" button. Click on it, and add the following blog addresses for your classmates (one at a time). You can copy and paste the addresses below, if you'd like:
Mrs. Mills: ivcc-jmills-listeningjournal.blogspot.com
Chandler: packers31198.blogspot.com
Nathan: bartybontheblog.blogspot.com
Hanna: hannamusiclj101.blogspot.com
Megan: meganbolelli.blogspot.com
Sophia: 17sbrandenburg.blogspot.com
Julia: juliabrowning.blogspot.com
Dash: dashburgess.blogspot.com
Adam: adamclaggett.blogspot.com
Riley: rileydirks.blogspot.com
Emily: emilydraper40.blogspot.com
Bryant: BryantEustice.blogspot.com
Alison: alisonfauthsblog.blogspot.com
Lauren: bach2bach-laurengiordano.blogspot.com
Jake: jakelovesbananacreampie.blogspot.com
John: johnnykkk.blogspot.com
Evan: evanknoblauch.blogspot.com
Ben: sbablucas.blogspot.com
Max: maxmoskalewicz.blogspot.com
Nick: nickneedsmusic.blogspot.com
Maddy: maddypearson.blogspot.com
On your main page (called your 'dashboard'), on the left side navigation window, you'll see an "Add" button. Click on it, and add the following blog addresses for your classmates (one at a time). You can copy and paste the addresses below, if you'd like:
Mrs. Mills: ivcc-jmills-listeningjournal.blogspot.com
Chandler: packers31198.blogspot.com
Nathan: bartybontheblog.blogspot.com
Hanna: hannamusiclj101.blogspot.com
Megan: meganbolelli.blogspot.com
Sophia: 17sbrandenburg.blogspot.com
Julia: juliabrowning.blogspot.com
Dash: dashburgess.blogspot.com
Adam: adamclaggett.blogspot.com
Riley: rileydirks.blogspot.com
Emily: emilydraper40.blogspot.com
Bryant: BryantEustice.blogspot.com
Alison: alisonfauthsblog.blogspot.com
Lauren: bach2bach-laurengiordano.blogspot.com
Jake: jakelovesbananacreampie.blogspot.com
John: johnnykkk.blogspot.com
Evan: evanknoblauch.blogspot.com
Ben: sbablucas.blogspot.com
Max: maxmoskalewicz.blogspot.com
Nick: nickneedsmusic.blogspot.com
Maddy: maddypearson.blogspot.com
Monday, May 25, 2015
Listening Journal Explanation
Blogger.com is what you are going to use for your weekly Listening Journal entries. Here's what you need to know:
Listening Journals are intended to get you thinking more deeply about music. These weekly exercises are designed to go far beyond the average passive listening that most people engage in. The Listening Journals are going to help you recognize learned musical elements, detect subtleties and nuances, analyze the actual sounds you're hearing - the music, and teach you how to write about music while supporting your opinion(s) with music information and knowledge.
Students will listen to a predetermined number of minutes of music each week (listed below). You are to do nothing else but listen to the music - do not work on homework, read, exercise, sleep, use your phone, tablet, computer, or other device - literally just sit and listen, and pay attention to what you're hearing. Note that students are welcome to write down hand-written notes about the pieces, as needed. You are on the honor system with Listening Journals, but experience has shown me that it's pretty obvious when students are attempting to multitask while completing this. **It is my hope that you will become motivated to listen to your music selections more than once each week. In doing so, you will not only notice more things within the music, but you might actually grow to like the music you're listening to!** ;o)
Logistics
Listening Journal Grading Rubric
Don't forget: you can always ask me for help, either in class or by email: jennifer_mills@ivcc.edu
Listening Journals are intended to get you thinking more deeply about music. These weekly exercises are designed to go far beyond the average passive listening that most people engage in. The Listening Journals are going to help you recognize learned musical elements, detect subtleties and nuances, analyze the actual sounds you're hearing - the music, and teach you how to write about music while supporting your opinion(s) with music information and knowledge.
Students will listen to a predetermined number of minutes of music each week (listed below). You are to do nothing else but listen to the music - do not work on homework, read, exercise, sleep, use your phone, tablet, computer, or other device - literally just sit and listen, and pay attention to what you're hearing. Note that students are welcome to write down hand-written notes about the pieces, as needed. You are on the honor system with Listening Journals, but experience has shown me that it's pretty obvious when students are attempting to multitask while completing this. **It is my hope that you will become motivated to listen to your music selections more than once each week. In doing so, you will not only notice more things within the music, but you might actually grow to like the music you're listening to!** ;o)
Logistics
- Entries are to be posted no later than 10pm on Friday of each week.
- Once all entries have been posted, you are to respond to 1 classmate's post that you find compelling, and respond to him/her by 10pm on Sunday of each week.
Listening Journal Entry Parameters
- Your initial post should be thoughtful, insightful, and reflective. Your commentary should address key issues from your listening (e.g. likes/dislikes and explanations of why); you could raise questions about the piece or composer (e.g. why does this happen here? or why did the composer do this?); offer praise or criticism and supporting statements (the "why") about the piece or composer (e.g. "I think this song is too slow - it just seems to drag in tempo [grave]. I think if it were a bit faster [andante], the song would have a more compelling drive and I would like it better."); and should apply course concepts/vocabulary to demonstrate a full understanding of knowledge of concepts and ideas pertaining to the class and chapter of study.
- Your response(s) to other students should also be thoughtful, insightful, and reflective. It should offer respectful commentary and discussion (either positive or negative - with support [why you are for/against] to their statements); could offer devil's advocate, rhetorical/"food for thought," or legitimate questions that require a response from your peer(s); could offer support or opposition in the form of a direct quote from the textbook; could include a link to an article or a YouTube video about the subject or topic of discussion; etc.
You do not have to listen to your peer's music (although you certainly can!) - you are simply responding to what they wrote. The idea here is to "have a conversation" with a person about what s/he has said about his/her listening experiences for the week.
Components of the Entry
What should my entry include? Here are some things to get you thinking:
- Your entry must include the title (or movement) of the song(s) you listened to and the duration of each piece
- What did you hear in the music?
- By focusing on just listening, what did you notice that you haven't before?
- How would you describe the music you listened to? What was new? What was familiar?
- What did you have to block out in order to focus/concentrate? How did that change what you heard?
- Identify the following (if you can) - and how do these elements factor in to your listening experience?
a) Ensemble performing (band/choir/orchestra)
b) Tempo - speed of the beat or song
c) Meter - organization of beats into groups (2, 3, or 4's)
d) Melody and Harmony - how or why are these important to the song?
e) Key - major or minor tonality
f) Texture - monophonic, polyphonic, or homophonic
g) Form - binary or ternary (the horizontal layout - beginning to end)
h) Performance - good or bad? why? what would make it better?
i) Time period of composition - Middle Ages (Medieval), Renaissance, Baroque, Classical, Romantic, 20th Century, Modern/Contemporary, Popular (pop music), Country, Jazz, Rock, etc. - Any other elements or thoughts you wish to share
Listening Journal Schedule
Familiar Music
|
Unfamiliar Music
|
Familiar Music
|
Unfamiliar Music
|
||
Week 1
|
5 minutes
|
5 minutes
|
Week 5
|
15 minutes
|
15 minutes
|
Week 2
|
10 minutes
|
5 minutes
|
Week 6
|
20 minutes
|
15 minutes
|
Week 3
|
10 minutes
|
10 minutes
|
Week 7
|
20 minutes
|
20 minutes
|
Week 4
|
15 minutes
|
10 minutes
|
Week 8
|
25 minutes
|
25 minutes
|
Listening Journal Grading Rubric
Objective/Criteria
|
Performance
Indicators
|
|||
Excellent (3)
|
Good (2)
|
Acceptable (1)
|
Unacceptable (0)
|
|
Insight, Support, and Substance of Response and
Reply
|
Commentary addresses key issues, questions, or
problems related to the issue, applying course concepts very well.
|
Commentary offers insight, analysis, or observation
on the issue, but may not demonstrate a full understanding or knowledge of
concept(s) and ideas pertaining to the discussion topic.
|
Commentary does not directly address the question or
issue posed by the discussion issue.
|
Commentary is incomplete, inaccurate, or
inappropriate, and does not meet necessary requirements.
- OR -
Commentary not submitted or shows a minimal effort
toward completion.
|
Don't forget: you can always ask me for help, either in class or by email: jennifer_mills@ivcc.edu
Here's to a wonderful semester!
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